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Mykola Ovsianiko-Kulikovsky : ウィキペディア英語版 | Mykola Ovsianiko-Kulikovsky
Mykola Ovsianiko-Kulikovsky (Russian: Николай Овсянико-Куликовский, 1768–1846) was the purported author of a famous musical hoax Symphony No. 21 (Ovsianiko-Kulikovsky), perpetrated by composer and violinist Mikhail Goldstein. In 1948, Goldstein announced that he had discovered the manuscript of a symphony by Ovsianiko-Kulikovsky in the archives of the theater in Odessa. The G minor work, numbered 21, was said to have been written in 1809; it bore the inscription "for the dedication of the Odessa Theater". The discovery caused a great deal of excitement in Soviet musical circles, for it was seen as proof that Russia had been able to produce a symphonist of comparable stature to Joseph Haydn. Furthermore, the symphony contained Ukrainian folk songs and ended with a Cossack dance, showing that the composer had a nationalist awareness. This piece was subsequently proven to be a fake.〔Taruskin, Richard (1996). ''Stravinsky and the Russian Traditions: A Biography of the Works Through Mavra,'' p. 161. University of California Press, ISBN 978-0-520-07099-8〕〔Association for Recorded Sound Collection (1994). ''ARSC Journal'', Volume 25, pp. 42-43.〕 ==Purported composer== Little is known about Ovsianiko-Kulikovsky's life besides his dates of birth (1768) and death (1846). A native of Kherson Oblast, he is known to have been a landowner and patron of the arts; in 1810 he presented his orchestra of serfs to the Odessa Theater. No evidence has yet come to light to suggest that he was active as a composer. He was the grandfather of the linguist Dmitri Ovsianiko-Kulikovsky.
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