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・ Mykola Marchak
・ Mykola Marchenko
・ Mykola Markevych
・ Mykola Matviyenko
・ Mykola Medin
・ Mykola Melnychenko
・ Mykola Melnyk
・ Mykola Mikhnovsky
・ Mykola Milchev
・ Mykola Morozyuk
・ Mykola Mozhovyy
・ Mykola Murashko
・ Mykola Musiyenko
・ Mykola Mykhailov
・ Mykola Nakonechnyi
Mykola Ovsianiko-Kulikovsky
・ Mykola Pavlenko
・ Mykola Pavlov
・ Mykola Pinchuk
・ Mykola Plaviuk
・ Mykola Polyakov
・ Mykola Porsh
・ Mykola Prystay
・ Mykola Prysyazhnyuk
・ Mykola Puzderko
・ Mykola Pymonenko
・ Mykola Riabchuk
・ Mykola Rohozhynskyy
・ Mykola Rudenko
・ Mykola Samokysh


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Mykola Ovsianiko-Kulikovsky : ウィキペディア英語版
Mykola Ovsianiko-Kulikovsky

Mykola Ovsianiko-Kulikovsky (Russian: Николай Овсянико-Куликовский, 1768–1846) was the purported author of a famous musical hoax Symphony No. 21 (Ovsianiko-Kulikovsky), perpetrated by composer and violinist Mikhail Goldstein.
In 1948, Goldstein announced that he had discovered the manuscript of a symphony by Ovsianiko-Kulikovsky in the archives of the theater in Odessa. The G minor work, numbered 21, was said to have been written in 1809; it bore the inscription "for the dedication of the Odessa Theater". The discovery caused a great deal of excitement in Soviet musical circles, for it was seen as proof that Russia had been able to produce a symphonist of comparable stature to Joseph Haydn. Furthermore, the symphony contained Ukrainian folk songs and ended with a Cossack dance, showing that the composer had a nationalist awareness. This piece was subsequently proven to be a fake.〔Taruskin, Richard (1996). ''Stravinsky and the Russian Traditions: A Biography of the Works Through Mavra,'' p. 161. University of California Press, ISBN 978-0-520-07099-8〕〔Association for Recorded Sound Collection (1994). ''ARSC Journal'', Volume 25, pp. 42-43.〕
==Purported composer==
Little is known about Ovsianiko-Kulikovsky's life besides his dates of birth (1768) and death (1846). A native of Kherson Oblast, he is known to have been a landowner and patron of the arts; in 1810 he presented his orchestra of serfs to the Odessa Theater. No evidence has yet come to light to suggest that he was active as a composer. He was the grandfather of the linguist Dmitri Ovsianiko-Kulikovsky.

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